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Esbjörn Svensson Trio at Vitoria-Gasteiz (Spain). July 2003 | |
Background information | |
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Also known as | e.s.t. |
Genres | Jazz, instrumental music, bebop |
Years active | 1993–2008 |
Labels | ACT |
Associated acts | Pat Metheny |
Website | Official website |
Past members | Esbjörn Svensson Dan Berglund Magnus Öström |
Esbjörn Svensson Trio (or e.s.t.) was a Swedishjazz piano trio formed in 1993 consisting of Esbjörn Svensson (piano), Dan Berglund (double bass), and Magnus Öström (drums). Its music has classical, rock, pop, and techno elements. It lists classical composer Béla Bartók and rock band Radiohead as influences. Its style involves conventional jazz and the use of electronic effects and multitrack recording.[1]
- 3Discography
Biography[edit]
The trio deliberately blurred genres, with Svensson's musical catholicism drawing upon a wide variety of artist influences.[2] e.s.t. was also renowned for its vibrant style in live performances, often playing in rock and roll oriented venues to young crowds. It achieved great commercial success and critical acclaim throughout Europe. Its 1999 release From Gagarin's Point of View started its international breakthrough, being the first e.s.t. album to be released outside of Scandinavia through the German label ACT.
Svensson died in a scuba diving accident in Stockholm on 14 June 2008. He is survived by his wife and two sons. The publication All About Jazz remarked that the loss 'will surely deeply sadden music lovers everywhere.'[2]
Since 2013 Magnus Öström and Dan Berglund are touring with the project e.s.t. symphony with Swedish arrangeur and conductor Hans Ek, performing symphonic versions of the e.s.t. songs.[3]
Awards[edit]
In 1995 and 1996, Svensson was awarded Swedish Jazz Musician of the Year and 1998 Songwriter of the Year, and the 1997 release Winter in Venice (consisting mainly of original material) was awarded the Swedish Grammy.Strange Place For Snow, e.s.t.'s 2002 release earned numerous awards including the Jahrespreis der Deutschen Schallplattenkritik (from the German Phonoacademy), the German Jazz Award, Choc de l'année (Jazzman, France), the Victoire du Jazz – the French Grammy – as best international act and also the Revelation of the Festival award, a special award from Midem. In December 2004, e.s.t. was awarded the Hans Koller prize as European Artist of the Year.
Discography[edit]
Albums[edit]
- Studio albums
- When Everyone Has Gone (Dragon, 1993)
- EST Plays Monk (Superstudio Gul, 1996)
- Winter in Venice (Superstudio Gul, 1997)
- From Gagarin's Point of View [sv] (Superstudio Gul/ACT, 1999)
- Good Morning Susie Soho (Superstudio Gul/ACT, 2000)
- Strange Place for Snow (Superstudio Gul/ACT, 2002)
- Seven Days of Falling (Superstudio Gul/ACT, 2003)
- Viaticum [sv] (ACT, 2005)
- Tuesday Wonderland (ACT/EmArcy, 2006)
- Leucocyte (ACT, 2008)
- 301 (ACT, 2012)
- Live albums
- E.S.T. Live '95 (ACT, 2001, originally released in 1995 on Swedish Dragon label as Mr. & Mrs. Handkerchief)
- Live in Stockholm (ACT, 2003) DVD, recorded December 10, 2000 – including videos and an interview
- Live in Berlin (ACT, 2005, Viaticum Platinum Edition, 2-CD Set - ACT 6001-2) [4]
- Live in Hamburg (ACT, 2007)
- E.S.T. Live in London (ACT, 2018), recorded 2005
- Compilation albums
- Somewhere Else Before (U.S. compilation on Columbia from From Gagarin's Point of View and Good Morning Susie Soho, 2001)
- Retrospective - The Very Best of E.S.T. (ACT, 2009)
Also appear on[edit]
- Beginner's Guide to Scandinavia, 2011 (Nascente/Demon Music Group)
Collaborations[edit]
The trio collaborated with several artists, including Pat Metheny and a The Vinyl Trilogy album with countryman Nicolai Dunger.
Literature[edit]
- 'Esbjorn Svensson: What Jazz Is, Not Was', All About Jazz, 2004-11-29.
- 'EST's Nordic Jazz: Cool But Smoldering at the Dakota', Jazz Police, 2006-06-23, archived from the original on 2006-10-19.
- 'Remembering Esbjorn Svensson', All About Jazz, 2008-06-17.
- 'Esbjörn Svensson', Telegraph, 2008-06-17. Obituary.
References[edit]
- ^NPR Music (June 30, 2002). 'E.S.T., Recorded Live in Studio 4A'. Studio Sessions. NPR. Retrieved August 14, 2011.
- ^ abhttp://www.allaboutjazz.com/php/article.php?id=29803#.UXD7_rVJNfQ
- ^[1]
- ^http://www.actmusic.com/product_info.php?products_id=6&show=2&language=en
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Esbjörn_Svensson_Trio&oldid=894952286'
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Viaticum is a term used especially in the Catholic Church for the Eucharist (also called Holy Communion) administered, with or without Anointing of the Sick (also called Extreme Unction), to a person who is dying, and is thus a part of the Last Rites. According to CardinalJavier Lozano Barragán, 'The Catholic tradition of giving the Eucharist to the dying ensures that instead of dying alone they die with Christ who promises them eternal life.'[1]
Usage[edit]
The word viaticum is a Latin word meaning 'provision for a journey,' from via, or 'way'. For Communion as Viaticum, the Eucharist is given in the usual form, with the added words 'May the Lord Jesus Christ protect you and lead you to eternal life'. The Eucharist is seen as the ideal spiritual food to strengthen a dying person for the journey from this world to life after death.
Alternatively, viaticum can refer to an ancient Roman provision or allowance for traveling, originally of transportation and supplies, later of money, made to officials on public missions; mostly simply, the word, a haplology of viā tēcum ('with you on the way'), indicates money or necessities for any journey. Viaticum can also refer to the enlistment bonus received by a Romanlegionary, auxiliary soldier or seaman in the Roman Imperial Navy.
Practice[edit]
Administration of the Eucharist to a dying person (painting by 19th-century artist Alexey Venetsianov)
The desire to have the bread and wine consecrated in the Eucharist available for the sick and dying led to the reservation of the Blessed Sacrament, a practice which has endured from the earliest days of the Christian Church. Saint Justin Martyr, writing less than fifty years after the death of Saint John the Apostle, mentions that “the deacons communicate each of those present, and carry away to the absent the consecrated Bread, and wine and water.” (Just. M. Apol. I. cap. lxv.)
If the dying person cannot take solid food, the Eucharist may be administered in the species of wine alone, since Christ exists in His entirety (Body, Blood, Soul, and Divinity) under both the solid and liquid species.
The sacrament of Extreme Unction is often administered immediately before giving Viaticum if a priest is available to do so. Unlike the Anointing of the Sick, Viaticum may be administered by a priest, deacon or by an extraordinary minister, using the reserved Blessed Sacrament.
Relation to superstition[edit]
Contrary to church doctrine, during late Antiquity and the early medieval period the host was sometimes placed in the mouth of a person already dead, perhaps owing to traditional superstition[2] that scholars have compared to the pre-Christian custom of Charon's obol, a small coin placed in the mouth of the dead for passage to the afterlife and sometimes called a viaticum in Latin literary sources.[3]
References[edit]
- ^L'Osservatore Romano, the Vatican's newspaper.
- ^Gregory Grabka, “Christian Viaticum,” Traditio 9 (1953), pp. 38–42; G.J.C. Snoek, Medieval Piety from Relics to the Eucharist (Leiden 1995), pp. 103, 122–124; Edward T. Cook, A Popular Handbook to the Greek and Roman Antiquities in the British Museum (London 1903), pp. 370–371.
- ^A. Rush, Death and Burial in Christian Antiquity (Washington, D.C. 1941), pp. 93–94; Gregory Grabka, “Christian Viaticum: A Study of Its Cultural Background,” Traditio 9 (1953), 1–43; Frederick S. Paxton, Christianizing Death: The Creation of a Ritual Process in Early Medieval Europe (Cornell University Press 1990), pp. 32–33 online; G.J.C. Snoek, Medieval Piety from Relics to the Eucharist: A Process of Mutual Interaction (Leiden 1995), passim, but especially pp. 102–103 online and 122–124 online; Paul Binski, Medieval Death: Ritual and Representation (Cornell University Press 1996), p. 32 online; J. Patout Burns, “Death and Burial in Christian Africa: The Literary Evidence,” paper delivered to the North American Patristics Society, May 1997, full text online.
Bibliography[edit]
- Rubin, Miri, Corpus Christi: The Eucharist in Late Medieval Culture, Cambridge: Cambridge University Press, 1991.
- Snoek, C. J. K., Medieval Piety from Relics to the Eucharist: A Process of Mutual Interaction, Leiden: Brill, 1995,
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Viaticum&oldid=872818222'